Filmwhys #75 Sixteen Candles and Josie and the Pussycats

The Why Haven’t You Seen This Film Podcast where my guest is Emily Mackay from Movies and Mayhem who asks me why I hadn’t seen Sixteen Candles, one of the seminal 80’s coming of age films from writer/director John Hughes. And in return, I ask her why she hadn’t seen Josie and the Pussycats, a 00’s revamp of the Archie comics characters turned into a meta narrative about pop culture at the time.
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Superbob 2015

It’s time to catch up with another movie from last year that I wasn’t able to see because it wasn’t released here in the US. This is a little independent comedy from Grain Media and first time director Jon Drever. Often, I think to myself that there’s almost nowhere new that a superhero movie can go, it just has to do something that’s been done before well. And while there have been several concepts out there about a loser who gains super powers to become a superhero, there hasn’t been anything that’s gone quite the same way about it that Superbob does, and that’s not even discussing the pseudo-documentary style of it either. I initially wasn’t sure what to expect from this movie, but the nervous charm of Bob made me laugh quite a bit throughout the film and it has a nice heart at the center of it all. A pleasant surprise of a movie and currently available in the US to stream via Flix Premier.
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Filmwhys Extra #28 What is a Comic Book Movie?

It’s been a while since I’ve done a Filmwhys Extra episode, the episode between the episodes before I started my Filmwhys Spotlight project. But this idea came to mind a few weeks back and I just had to make it happen. So without further ado, The Why Haven’t You Seen This Film Podcast crossover episode with two other comic book movie podcasts 24 Panels Per Second and Meanwhile… and their respective hosts Dru Jeffries, David Babbitt, and James Thompson where we ask a seemingly simple question: What is a Comic Book Movie
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Superhero Podcast Review: Chimpions

Welcome back to another requested edition of my Superhero Podcast review where I take a listen to a superhero-centric podcast and let you know what I think about it. This edition’s podcast is a very fresh one so if you’re interested it won’t take too long to catch up, but there’s always a learning curve going into podcasting so keep that in mind as well. Also, this one will be breaking my format even more than the last time where this podcast doesn’t discuss superhero movies at all, but I’ll get into that more in the main review. As usual, if you run or listen to a superhero-themed podcast that you think I might enjoy taking a look at, be sure to leave a comment, write me an e-mail at or hit me up on Twitter @Bubbawheat.
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The Last Superhero

All Superheroes Must Die 2: The Last Superhero 2016

It’s been a bit of a slow August, at least slow as in posts appearing on this site, the complete opposite when it comes to outside of this blog. But I was able to check out another recent release. Back when I first caught All Superheroes Must Die, I thought it was a great little ultra-low-budget gem that brought some new ideas and a horror vibe to superhero movies. Writer/director/star Jason Trost has gone a slightly different direction with his sequel that follows the events after his first movie along with revisiting events well before in a pseudo documentary style that becomes more like a mystery than a superhero movie. And it succeeds quite well as a mystery, it kept me guessing until near the very end without falling for obvious Macguffins and the documentary style was a nice touch to help explain the low budget feel, though there were a few moments of special effects that looked good despite the low budget.
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Filmwhys Spotlight: Supergirl

The third entry in my series shining a light on underappreciated superhero movies through the eyes of the fans that love them. This time around I’m shining the spotlight onto 1984’s Supergirl with the help of guests Jermaine Dickerson from Jermaine Design, Todd Liebenow from Forgotten Films, and Andrew Wickliffe from The Stop Button. I hope you’ll join us in taking a look at some of the brighter points of this movie that for many hasn’t stood the test of time, not that it even was ever successful in the first place.
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Avengers: Age of Ultron

Avengers: Age of Ultron 2015

I think it’s actually quite fitting that I have a review of Ultron just after my review of Suicide Squad. Both films had large expectations behind them, and both ended up falling quite a bit short of them for many fans. The biggest difference is that while considered a disappointment, it still snagged around a 75% approval rating from critics, though I imagine that many of those positive reviews still have the word “disappointment” or some variation of it within the text. In fact, one of the reasons why I didn’t immediately review this film after seeing it for the first time in theaters myself was because I felt like I needed to let it settle for a bit and I wanted to give it a second viewing with tempered expectations to help see some of the positives without getting stuck on the feelings of being let down from the perfection that was the first Avengers movie. I just didn’t quite expect that second viewing to come almost a year and a half later. But here we are. So, did it improve from that initial viewing? Yes, but there are still plenty of flaws throughout the run time.
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Suicide Squad

Suicide Squad 2016

Like with any recent DC live action movie release these days there’s a lot more to it than just “Did I like it?” or “Did I not like it?” It seems like it started a little bit with Manof Steel and escalated greatly with Batman vs Superman and once again there’s this great divide between a very low critical consensus and a record breaking box office. Who’s right? Who’s wrong? Does it really even matter anymore as long as the money is flowing and nothing’s going to stop this DC train from moving along trying to catch up to the Marvel money train chugging a few billion dollars ahead. Obviously, I’m a superhero movie fan, you don’t sit through over 300 superhero movies without either being a fan, becoming a fan, or quitting about 100 movies ago. My expectations for Suicide Squad were very similar to the animated Assault on Arkham, and what I got wasn’t a far cry from it. The characters were fun, it was fast paced, sure there were some flaws with the story but at the end of the day, my wife and I had a great morning at the movies. It would just be nice if there was a little bit more cohesion so that everyone else had fun too.
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Superhero Podcast Review: T’aint Funny

Welcome back to another round of my Superhero Podcast review, and we’re on to the first one that was actually requested of me, or at least the podcast was recommended to me by one of the hosts. Once and if I run out of suggested podcasts, I’ll stick with podcasts that are more superhero movie related, but I will review nearly anything as long as there is enough of a superhero discussion within the podcast itself. And I’m always looking for new podcasts to cover here, whether you’re a host or just a listener. Feel free to comment, e-mail me at or send me a shout out on Twitter @Bubbawheat. Now, onto the review.
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When Sport and Superheroes Mix

When Sport and Superheroes Mix

There was a time when superheroes were just that – super, their powers pitched beyond our human reach. Superman discharging laser beams from his eyes? Check. Spider-man’s targeted glandular secretions? Check. The Amazonian physique and commensurate athleticism of Wonder Woman? Double check, and extra points for her invisible sky car.
These archetypal superheroes from the Golden Age of RKO radio serials and early 20th century comic-strips bagged all the best powers for themselves. But the public appetite for superheroes was voracious, and demand soon began to outstrip supply. Increasingly desperate writers were charged with dreaming up new heroes and hero powers, and some turned to the world of sport for inspiration – that sound you can hear is the bottom of creative barrels being scraped.

Here’s a quick look at some of the less-than super superheroes they came up with, and the obscurity to which they were (rightfully) consigned.

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