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Will the Avengers be an origin movie?

It’s the middle of April and I want to take a quick moment here at the beginning of this post to say thanks. Thank you to everyone that’s been visiting and commenting on my site. I’ve tried to put a lot of work into this and seeing the site grow makes me very happy. I’d love to hear feedback on what you like, what you don’t like, and any ideas of what you’d like to see more of. I’m looking forward to getting ready for the Avengers next month and re-watching all the lead up movies including the only one I haven’t seen before, Iron Man 2. I could also use some help coming up with names, should this Tuesday blog post have a name? I’m also not sold on “Superhero Shorts” mainly because I most enjoy the interview part of the article, and “Superhero Shorts” does not convey the idea of an interview. I also love hearing suggestions on what I should watch next, got any ideas? Leave a comment, let me know what I should watch after the Avengers and before I start prepping for the new Spiderman. Speaking of which, that brings me to today’s blog topic, do we need more origin stories?

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Chronicle 2012

It’s the first new superhero movie of the year to be released in theaters and I was able to watch it… kinda. I’ll just leave it at that. I’ve actually done something I almost never do before watching a movie, I read a bunch of reviews for it. Which is kind of funny coming from someone who is now spending their free time writing reviews for movies. Not any real critics, mostly just other blogs, and Roger Ebert. The one person that really seems to come out on top the most out of all those reviews is Max Landis who turns out to be John Landis’s son, and creator/narrator of this funny and weird recreation of the Death and Return of Superman comic series. He’s the writer of this movie and is credited with making the dialog of the teenagers fresh, natural, and overall believable.

Anyway as you probably know, this is another in the realm of the “found footage” movement that is being loved and hated across America right now. It’s getting pretty tired on the horror side so it’s being expanded into other genres of movies, and this movie uses it to create a superhero movie. Kinda. In a way it reminds me of Unbreakable as it feels like the first act of a typical origin story of a superhero. It goes from the discovery of their superpowers, or in this case the creation of their superpowers, to the testing of those powers, to their first heroic act taking out their villain. And in both movies the villain is closer than you think. Just from the trailer, it’s pretty obvious that Andrew becomes the villain of the piece, but it’s not quite as clear who becomes the hero of the piece so I won’t spoil that bit of information for you if you haven’t seen it yet.

As far as the actual style of the handheld cameras throughout the movie, it’s occasionally distracting but they use enough explained cheats and other excuses for different video sources that it comes off pretty well overall. I found that the movie was a little slow to get moving along but once it got going it flowed through to the ending very enjoyably. I found that with this specific movie, it’s a great excuse to get the teenagers talking to the camera and there’s thankfully little to no overly shaky, motion sickness inducing camerawork that literally made me sick the first time I watched Blair Witch in theaters.

The other thing that’s talked about almost universally when I was reading about this movie is the flying. Yes the teens soon learn how to fly and they do it with a believable amount of trial, error, and lack of finesse. It’s not like the first time Neo figures out he can fly and suddenly becomes a Superman bullet rocketing through the sky. It’s a lot more like a baby bird first learning to fly without the advantage of instincts to help them out. They’re clumsy at first, yet completely ecstatic, and the method used to pull this off on camera is excellent. We’ve come a long way from Catwoman’s shiny videogamesque CGI actor replacement. The flying scenes are very realistic and believable.

I think my biggest problem with the movie is that while it seems like it’s the first act of a superhero movie, it’s much more focused on the villain of the piece. Yes, it is Andrew’s camera that’s filming most of the movie, and yes he’s the one that takes the dark path as foreshadowed by his shaky home life. And then at the end the hero becomes a hero by doing what has to be done and goes away. It would have been great to see more of his journey and what happened to make him choose the right path and make the right decisions. But at the same time it’s a morbid fascination that makes it almost more interesting to see how Andrew makes the decisions that take him further and further down the path of destruction, and most of them almost seem like they’re the right decisions, or at least the only decisions he has based on what he’s been through. I can’t put my finger on it, but I think somewhere it strays a little too far or too quickly for the audience to root for him throughout the last half of the movie even though he’s a very sympathetic character.

I’m glad I caught wind of this movie, it really came out of the blue for me and I enjoyed watching it pretty well. If I wasn’t doing this movie blog I might have let it fall by the wayside and I would have missed it altogether. It’s not a perfect movie by any means, but it’s still a pretty great movie. I definitely recommend checking this out if you have the chance. Thursday I’m back to my regularly scheduled theme for the month with Hancock. Until next time this has been Bubbawheat for Flights, Tights, and Movie Nights.