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The Flashpoint Paradox
The Flashpoint Paradox 2013
While I haven’t been able to make it to the theaters these past couple weeks to catch up on a lot of the big superhero movies, I did manage to watch DC’s latest animated venture The Flashpoint Paradox which manages to continue The Dark Knight Returns’ trend of pushing the limits of a PG-13 rating with a very adult story and some graphic violence. That said, I’m a big sucker for time travel, and especially timeline altering movies. I always loved those episodes of Star Trek, and I even quite liked the first Butterfly Effect. This is right alongside one of those with a great alternate timeline brought about by Professor Zoom using his super speed to go back in time and alter something, and somehow the Flash retains his memories of his former life, but not his former powers. In this reality, his mom is alive, but Aquaman and Wonder Woman are fighting a war that’s about to destroy the entire Earth. The scale of this movie is pretty epic, the violence is devastating, the themes are mature, and it does great justice to the character the Flash. This isn’t the first time I’ve said this, and it probably won’t be the last, but this has come close to being my favorite DC Animation once again.
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Words without pictures: A Superhero novel
Infinite Crisis by Greg Cox
As I mentioned in my last post, I’ve moved to the Chicago area and am now facing an hour’s train ride each way to work. To my surprise, my sister is a moderate fan of superheroes as well and she lent me her copy of Infinite Crisis: A Novel to read. I was familiar with the storyline and the previous event Crisis on Infinite Earths in name only. This is the first superhero novel I’ve ever read. When I was in my teens/early twenties I read a ton of fantasy books, mainly all of the Forgotten Realms series that was published at the time, as well as the Weis/Hickman written Dragonlance novels and Robert Jordan’s massive Wheel of Time series. One of the things I noticed fairly early on is how much is lost without visuals. Comic books and superheroes are very much a visual medium. And I understand that fantasy can be very visual as well, but for some reason reading about superheroes without the visuals to back it up felt a lot more silly to me. Especially when you get to the fact that this novel covers a huge crossover comics event that features literally hundreds of heroes and villains and has about a dozen main characters. And on top of that, seeing Batman survive being strangled by some superhuman villain is one thing, but reading several times how he’s only surviving because of his armored neckpiece just sits the wrong way with me. But aside from a few qualms, I generally enjoyed it.