Blog Archives
Graphic Horror: 30 Days of Night: Dark Days
30 Days of Night: Dark Days 2010
It’s March and I’m continuing my recent tradition of making March Graphic Horror month where I seek out and review horror and thriller films that are based on comic books and graphic novels. And while I haven’t made an official blogathon this year, if you would like to join in, here’s a list of films that fit the bill, just let me know via e-mail or Twitter and I’ll check it out and share the link. But for the first film I decided to go back to my other goal for the year and continue watching movies made in 2010 and later with this sequel to 2007’s 30 Days of Night. Unfortunately, while it did have a few moments of inspiration, it mostly fell flat into a rather trope-filled horror movie that fell into all the same routines filled with a rather boring cast. It wasn’t awful to watch, but there were way too many decisions that I questioned concerning the characters, the vampires, and mostly everything else.
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Friday Foster
Friday Foster 1975
As February nears its end, it’s time for me to wrap up my short lived celebration of Black History Month in superhero and comic book movies since this is absolutely the last one that I could find. It’s a mid-seventies Blacksploitation film starring the great Pam Grier along with a very impressive cast for the time and film company possibly most well known for their exploitation films like Blacula. The film itself was based on a serialized comic strip of the same name that ran for just four years and actually ended the year before the film was made. Considering I don’t have an extensive background at watching many exploitation films aside from the parody Black Dynamite I don’t have much to go off of, but this ended up being a rather fun watch. Even without the experience of those films to go off of, it was bogged down a bit by a rather nonsensical and drab plot as well as a lack of any notable action or nudity which I would have thought would be more present in one of these types of films.
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Lego Justice League: Cosmic Clash
Lego DC Comics Super Heroes: Justice League: Cosmic Clash 2016
It’s the second month of the year and that means the second DC movie that includes Batman in it. Not only that, but it’s the second film that includes Batman fighting another hero and the first this year where he is fighting Superman. Aside from that, it’s also the fourth Lego DC movie to be released on home video after the success of DC Heroes Unite, Attack of the Legion of Doom, and Justice League vs. Bizarro League. It actually continues where Bizarro League left off where Cyborg is now a full fledged member of the team and Batman is on board with everyone but is still somewhat on the outskirts of the team. Like all the others, there’s plenty of humor and while most of it is childish, there’s enough referential humor to make things fun for adults as well.
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Up, Up, and Away
Up, Up, and Away 2000
I’m continuing my efforts to watch the last few remaining Black superhero and comic book movies that I haven’t reviewed with this Disney Channel Original Movie. I was never really much of a fan of the DCOMs as some people refer to them, they were always too far on the schmaltzy scale for me as they seemed to be targeted directly towards tweens before the term tween even existed. The ones that I’ve been forced to sit through by my wife and daughter have been the surprisingly abundant girl-focused ones like the Zenon films, the Halloweentowns, and most recently Descendants. None of them would have likely appealed to me when I was younger and they definitely didn’t appeal to me as an adult. So I didn’t have very high hopes for Up, Up, and Away even with the inclusion of Robert Townsend as director and star considering I am a mild fan of his earlier work The Meteor Man. But while I didn’t absolutely fall in love with Up, Up, and Away, it did do a few things that surprised me and it made me laugh more than once.
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Deadpool
Deadpool 2016
The time has finally come, the first theatrical superhero movie of the year and it’s a doozy. As I’m writing this, it’s on the way towards a monster $135 million plus box office holiday weekend, which is around three times greater than what was expected for this R-Rated movie on what could be considered a third tier superhero. In a way, this also seems like what happens when the filmmakers take the essence of what the character is in the comics and translate that as closely as possible to the screen. For many years, liberties have been taken with the origin, the costume, and other aspects of the characters but for fans of Deadpool, this is how they see their character on the page and on the screen and they are ecstatic. Personally, I can’t really call myself a fan of Deadpool in the comics because I’ve never read the comics. Most of my exposure to Deadpool comes from the beginning of X-Men Origins: Wolverine as well as a couple fan films. But this film hit me in all the right places, from the very wrong humor, the pop culture references from the 80’s and 90’s, the meta humor, and the action all wrapped up like a chimichanga of awesome.
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Pootie Tang
Pootie Tang aka Sine Your Pitty on the Runny Kine! 2001
Something that I started in the first year of this site and revisited just last year was to “celebrate” Black History Month in what little way that I could by reviewing films that featured Black superheroes. I covered most of them during the first year of this site including pretty much all of the good ones. It wasn’t until last year when I decided to revisit this idea with Abar: The First Black Superman as well as a couple episodes of Filmwhys where I could cover some Black cinema outside of the realm of superheroes. This year I found a couple more Black movies to watch and I decided to start with this film which is pretty far from your typical superhero movie. But it does seem to follow the typical origin story pretty closely with a few tweaks here and there. Unfortunately, with the exception of a few moments of completely absurd humor, the jokes didn’t connect with my sense of humor and without that I was left shaking my head more often than shaking my gut.
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Heavy Metal 2000
Heavy Metal 2000 2000
It’s been a while since I’ve participated in a blogathon that I didn’t host, but when I saw the O Canada Blogathon over at Speakeasy all the way back in October I figured I could come up with something Canadian to join in. Although my first two thoughts were shut down for various reasons, I knew there was a very obscure Canadian independent film called Sidekick, but it’s also so obscure that I’m having trouble getting my hands on it. I also knew about a French/Canadian production called Crying Freeman, but looking into it I realized it was based on a manga rather than a comic and I’m holding off on those for the moment. So last on my list was this one. I had watched the first Heavy Metal last year but hadn’t heard good things about the sequel and since I didn’t care for the original all that much I didn’t have high hopes for this one. And for the most part my fears were right.
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Tamara Drewe
Tamara Drewe 2010
This is one of those movies where I end up drawing a bit of a blurry line as to what I consider a comic book movie and I realize that I don’t think I’ll ever come up with a set of criteria that won’t be too exclusive without also being too inclusive. But similar to Dick Tracy, Tamara Drewe actually started out its life as a weekly serialized comic strip that ran in the UK newspaper the Guardian starting in 2005. Then it was released in a collected form as a graphic novel in 2007 and then just a few years later it was turned into a movie. It’s a loose retelling of Thomas Hardy’s Far From the Madding Crowd but that’s not really a story that I’m familiar with so any references and allusions to it would have been lost on me. There were some funny bits, but the more I think about the film, the less it really sticks with me.
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Almost Super: Remo Williams
Remo Williams: The Adventure Begins 1985
Lately, I’ve gone back and forth about what movies I include in the comic book and superhero category. Often times in the past, I have preferred to err on the side of inclusion, but lately I’ve started to go against that considering I decided to exclude the “superhero” movie The Adventures of Food Boy that really had nothing to do with superheroes. Remo Williams is one of those that falls closer to the lines of Buckaroo Bonzai, plus the fact that he has some extraordinary abilities learned through the martial art of Sinanju, and he has his identity changed from his previous life as a cop. But I decided that those for whatever reason just aren’t quite enough for me and this film falls a little bit more on the line of a martial arts/spy film rather than a superhero film. There were even comic books made based on this character, but they came out after this film. The film itself was a lot of fun mired behind a lack of focus and pacing, almost a parody of action/spy films while still taking itself mostly seriously.
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FTMN Quickie: Watchmen Director’s Cut
Similar to what I did with the Punisher Extended Cut a few months back, I finally got around to watching the Director’s Cut of Watchmen that I’ve owned on DVD for well over a year now. And similar to the Punisher cut, this version doesn’t have a huge amount of changes, instead there are many small additions to the film that adjust the pacing and shift the tone a little bit here and there. If you want to read my thoughts on the theatrical version of the film, you can find that right here.
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Flights, Tights, and Movie Nights 