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Santo y Blue Demon contra Doctor Frankestein

Santo y Blue Demon contra Doctor Frankestein 1974

It’s time to finish out Hispanic Heritage Month with the last Santo movie from my local library. Now I only have like 49 more of these movies to go if I ever want to completely finish them. It’s been an interesting trek, none of them are really that great. I’ve fallen asleep (albeit watching late at night) twice out of the four movies. But each one is different enough from the other to keep things interesting. The fights were interesting to a point and I’m glad to be taking a long break from the movies but each one had something interesting about it to make it different from the rest of the movies while still having the same Santo charm.

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Santo vs la Hija de Frankestein

Santo vs la Hija de Frankestein 1972

I’m still going through the four different Santo movies that I’ve found at my local library to help celebrate Hispanic Heritage Month. I’ve actually been quite surprised by the variations of the three titles I’ve watched so far despite the fact that I’m jumping around in chronology. Not that it matters as each movie is completely disconnected from the next as far as I can tell. There may be a connection to this one and the last Santo movie I have with him and Blue Demon vs Doctor Frankenstein, but I suppose I’ll have to wait to find out. This one was actually the most enjoyable of these movies so far with an interesting cast of villains and a nice little twist on the wrestling matches.

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Santo en la Venganza de la Momia

Santo en la Venganza de la Momia 1971

This is the third Santo movie that I’ve watched and the second one that I’m reviewing for Hispanic Heritage Month. They have been an interesting series of movies to showcase a popular Mexican luchador who transitioned to comics before starring in movies all while being popular for several decades. They all follow the same basic premise: Santo has a wrestling match and then he gets involved in some sort of mystery involving something supernatural. This one has a unique distinction of being more like Scooby Doo because of the ending, but it still follows the same overall structure. There’s more comic relief and a little bit of heart added to the narrative, but overall it was just more of the same.

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Rendel

Rendel: Dark Vengeance 2017

This post partially came about as voted by members of my Patreon. Each month, I offer four movies and it’s up to the patrons to help decide what I get to watch. If you would like in on this, all I ask is just $1 a month to help this site continue and to grow. This movie is hailed as Finland’s first superhero movie, and while I can’t verify that statistic myself, I do know that it’s the only one that I’m aware of. At least until the sequel comes out. It’s a lower budget film, but one that really uses the budget quite well. And while the popular opinion on it is fairly low to middling, I actually quite enjoyed this take on more or less the Punisher with a few other odds and ends thrown in as well as a couple nice expectation subversions. There were definitely some storytelling and pacing issues, but overall it was quite violent with a touch of very dark humor.

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Chicken With Plums

Chicken With Plums 2011

It often happens that I chance upon a movie that I hadn’t heard of before that I feel like I really should have already known about. I was a fan of Marjane Satrapi’s first movie based on her comic of the same name Persepolis. But I didn’t realize that she made a second movie based on another of her graphic novels called Chicken With Plums a few years later in 2011 until very recently. Watching it, it reminded me quite a bit of a black comedy version of Amelie. There are plenty fantasy sequences and flights of fancy mixed into this relationship drama, but there’s a decided lack of whimsy in favor of a more darkly comedic tone.

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SuperLopez

SuperLopez 2018

In topics few people reading this site really care about, I decided to switch from Netflix to Hulu as my streaming site of choice for a while. And as I have just under a month left of Netflix before my membership runs out, I decided it was time to try and watch some of the movies that have been sitting in my queue for months. But instead of that, I watched this film which I had just heard about coming onto Netflix a few days ago. It’s a Spanish superhero parody movie, but it’s actually quite similar to Mystery Men as it’s not just a movie parody of Superman, but the original comic was a comic strip parody of Superman and this is an adaptation of that comic. As for the actual movie itself, it was pretty slow, but it did have a few good laughs mixed in between a lot of nothing.

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Guardians

Zashchitniki aka Guardians 2017

This is only the second Russian superhero movie that I’ve reviewed here on this site after the bizarrely mediocre flying car Spider-Man rip off that has nothing to do with the current CW show Black Lightning. I remember seeing the previews for it a while back and the visuals looked kind of insane. Now that I’ve finally seen it, I still think the overall visuals look great, but it really suffered from a lack of interesting characters or an interesting plot. It’s a really generic government created superpowered experiments that goes wrong and creates a supervillain intent on ruling the world. It’s a weird mix of X-Men’s Weapon X program but it’s just not interesting once you look past the special effects.

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Krrish 3

Krrish 3 2013

It should be little surprise that after watching Koi… Mil Gaya and Krrish that I would finish up the trilogy by watching Krrish 3 as the final movie in this trilogy. That is, until a potential fourth movie is made. It still baffles me as to why they went against a traditional numbering system as Krrish is only a character in the second two movies but the decision was made to give this film the number three instead of the number 2 or even just a different subtitle all together. And while this is really the first film in the series to start things off and spend almost the entire run time as a superhero movie, that doesn’t make it a stronger movie. It borrows heavily from X-Men and Spider-Man and only has a handful of moments where it really makes a name for itself as a unique superhero movie. It’s still decent fun, but it didn’t live up to the playfulness of Krrish and the overly CGI action was a step down from the mostly wire work action of the previous film.
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Krrish

Krrish 2006

Continuing on after watching Koi… Mil Gaya I finally watched the first actual superhero part of this Bollywood trilogy. But even then the film surprised me to a certain extent as it is still mostly a romantic comedy with a supernatural angle to it where the actual superheroics don’t come into play until around the two hour mark of a three hour film. But where Koi… Mil Gaya had some problematic elements with its romance, there was none of that here and while it also fell into a few sitcom-esque cliches, it was a whole lot more fun to watch. It ultimately turned into an odd combination of Tarzan, Superman, and Spider-Man but it all somehow worked well together. Even the musical numbers were less distracting and felt fewer and further between as well.
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Blue is the Warmest Color

Blue is the Warmest Color 2013

As of this moment, this is what I will refer to as the final “major” superhero or comic book film that I had yet to watch and review since starting this site. It’s one that I’ve put off for a variety of reasons. One of which is the multiple, extended, and explicit sex scenes over the course of this three hour movie. Now, I’m not generally one to shy away from sex and nudity, but when you’re the father of a 10 year old girl who has a very bad habit of staying up much later than she should, you tend to be very careful about what you watch in the living room. But once I got past that hurdle albeit in shorter chunks over the course of four evenings, I did enjoy the extended and raw tale of a young woman finding herself through school, romance, and sexuality. And while I myself am not a teenager, a woman, or gay, there was still plenty about Adele’s journey that I strongly related to throughout the course of this film.
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