Blog Archives
The Condor
The Condor 2007
Even though I watched this film before C2E2, I didn’t get the chance to write about it until now. I really didn’t know much of anything about this film aside from the fact that it was an animated film that came out about the same time as Mosaic based around an original superhero created by Stan Lee, and something about skateboards. It’s even been sitting on my DVD shelf for well over a year along with a dozen other movies that I bought off the clearance shelf specifically for this site that I haven’t gotten around to yet. I didn’t realize until the film started up with a nice little intro from Stan Lee himself that it was essentially based around an even smaller superhero minority than the woman superhero or even the Black superhero, the Latino superhero. As the origin story of the Condor, it basically combines the origins of Iron Man and Daredevil. The tone of the film was also a little off in the same way Mosaic was, where the plot was rather simple as if it was made for a child, but there were scatterings of adult themes tossed around that were a little on the inappropriate side for the younguns. I really wasn’t very fond of this one, it was obvious, dated, and even felt a little on the racist side of things.
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Mosaic
Mosaic 2007
It feels good to finally be getting back into a somewhat regular schedule over here at my home for movies since spending so much time at my second home for television over at Channel: Superhero. I think it helps that I’ve decided to make this month animation month which tend to offer up much shorter movies than the live action versions. I have also been thinking about women led superhero movies so I thought it was a perfect fit to take a look at this film that you wouldn’t even know by looking at the cover art or the title was about a young woman who becomes a superhero. It was one of a brief series of films for original characters including this film, the Condor, and the live-action Lightspeed. Mosaic is about a shapeshifting race of people who evolved from chameleons and have remained hidden within the population, and a teenage girl named Maggie comes in contact with one of their runestones and is imbued with their powers. It generally feels like an 80’s or 90’s style low-to-moderate budget animation with more action than story, but it was a fun little adventure and happens to be free to watch on Hulu, so there’s that.
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The Glaring Reality of Women Superhero Movies
While I was beginning to write my latest review for a superhero movie I watched that was recently released on home video, it made me think about Women-led superhero movies and how it’s been so long since anyone has dared to make one, either on home video or in theaters. That movie happens to be the first movie that has been released in the US that’s led by a female superhero since 2009’s DC Animated Wonder Woman. If you’re curious, the movie is Barbie in Princess Power. Yes, it took a Barbie movie to break this streak. By my count there have been 80 superhero movies released in the US between 2010 and April 2015. This is the only one led by a female superhero. If I expand my search just a little, there is at least one other that I am aware of from a couple years ago in Japan called Nuigulumar Z but that’s it. When you look at theatrical features the prospects are even more grim considering the last female-led superhero movie was all the way back in 2005 with Elektra and the next one isn’t due until 2017 with Wonder Woman, that’s twelve years. Think about this: if a girl was born in 1999, she would not have been able to see a superhero movie led by a woman in the theaters until her 18th birthday.
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Batman vs. Robin
Batman vs. Robin 2015
April has unintentionally become animation month here at Flights, Tights and Movie Nights as I take a look at a couple home video releases as well as catch up with the last couple Marvel animated movies I haven’t gotten around to yet. Batman vs. Robin is the latest DC Animation release that was originally touted as their first original story, though it is apparently partly based on the Court of Owls by Scott Snyder and Greg Capullo as well as a sequel to last year’s Son of Batman which was a decent, though fairly mediocre effort from the studio. It has a much stronger underlying theme of what being a father and being a son means, though it doesn’t quite reach the heights of Road to Perdition which I had just recently watched. It was still a mighty fine effort with some nice performances, impressive action sequences, and a few twists and turns along the way. And FYI, Batman vs. Robin is currently available via digital download, and will be released on DVD this Tuesday, April 14th, and as a warning I will be delving into the film in its entirety, including any spoilers.
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Graphic Horror: Road to Perdition
Road to Perdition 2002
It’s time to finish off my participation in the Graphic Horror Blogathon with a bang by covering one of only a small handful of actually well received and well known comic book adaptations that I have yet to cover here on this site. And while it isn’t exactly a horror film, Road to Perdition does have enough thriller elements and more than enough striking visuals that I’m glad to share it as part of this project. It’s the story of a mob hitman on the run while simultaneously out for revenge, but more than that it’s about the relationship between a father and son and how they end up connecting with each other though these trying circumstances. Not only that, but this is one of the most acclaimed and star-studded comic book movies out there starring Tom Hanks, Paul Newman, Jude Law, and an early role from the man who would be James Bond Daniel Craig. It’s an amazing film, and if you haven’t seen it before, definitely seek it out before reading this, as I will be delving into this film in its entirety spoilers and all.
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Filmwhys #50 Psycho and The Spirit
Episode 50 of the Why Haven’t You Seen This Film Podcast where my guest is Ryan McNeil from The Matinee who asks me why I hadn’t seen Alfred Hitchcock’s first horror film and one of his greatest, Psycho. And in return, I ask him why he hadn’t seen a superhero film on the opposite end of the spectrum, one of the worst comic book films out there, Frank Miller’s The Spirit. There’s also an important announcement near the beginning of the episode, so give it a listen.
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Graphic Horror: Dr. Giggles
Dr. Giggles 1992
It’s tough for me to decide which of the two recent films I watched are better: Virus or Dr. Giggles. I think I would give the edge to Virus, only slightly due to some of the innovative special effects. Dr. Giggles is very much just a standard psychopath killer horror movie overloaded with as many doctor puns as they could fit in. The most entertaining part of the film was picking out actors that I recognized from their later work, like Larry Drake who went on to play Durant in Darkman, Holly Marie Combs who played the sister no one remembers from Charmed, Doug E. Doug from Cool Runnings, and Glenn Quinn from Angel. It’s filled with plenty of horror tropes, some weird doctor-like contraptions, and not really much else in the way of plot or scares. It was produced in part by Dark Horse Entertainment and also had a tie-in two part comic book that came out right around the same time as the film.
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Graphic Horror: Virus
Virus 1999
Moving my way down in quality for this year’s Graphic Horror before hitting the planned high point at the end comes this lovely gem that came out the same year as the Matrix but with a wholly different interpretation of special effects. It actually started its life as a movie script, but was considered to be too special effects intensive at the time and so it was first made into a comic book from Dark Horse. John Bruno was cutting his teeth working on special effects under James Cameron before getting this film as a director, and unfortunately it really shows that he was more of a special effects guy than a full director. There are many issues with this film, but the special effects work really is not one of them. While there are a couple name actors with Jamie Lee Curtis and Donald Sutherland, they are definitely not bringing their A games. It’s a horror film with a small cast that doesn’t know whether it wants to be a slow burn thriller, a gore fest, or a survival action film, and the blending of these genres do not work very well at all. It has some fun moments here and there, but for the most part, it’s a rather boring slog-fest.
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